A Shade of Aesthetic
My dad hated rock music. He tolerated it, but mostly he scoffed at it, even the Beatles. We were watching …
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Client: Adidas Golf "All Year"
Sound Design and Mix: Robert Feist
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Client: DRAMA "Newport Beach Film Festival"
Sound Design and Mix: Robert Feist
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Client: New York Times "Forest Whitaker"
Mix: Robert Feist
Sound Design: Stephen Dewey
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Client: Cadillac “Doors”
Sound Design and Mix: Robert Feist
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Client: Viper “Body and Soul”
Mix: Robert Feist
Sound Design: Johannes Hammers
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Client: UCLA "Optimists"
Sound Design and Mix: Robert Feist
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Client: NHL “First Kiss”
Sound Design and Mix: Robert Feist
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Client: Absolut “Leila”
Sound Design and Mix: Robert Feist
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Client: GMC "Dirt"
Sound Design and Mix: Robert Feist
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Client: Cisco “Biggest Supporter
Sound Design and Mix: Robert Feist
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Client: Wrigley “5 RPM Gum”
Mix: Robert Feist
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Client: Target Beyonce
Sound Design and Mix: Robert Feist
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Client: Liberty Mutual “Human”
Sound Design and Mix: Robert Feist
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Client: Adidas “Adizero”
Mix: Robert Feist
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Biography
With a career spanning over three decades, Robert Feist has worked in nearly every aspect of the recording industry, has earned gold and platinum records and recorded for such artists as Stevie Nicks, Belinda Carlisle and Anita Baker. His work encompasses many styles and genres from jazz, rock, pop and orchestral to film, video, commercial, TV, Radio and Internet. His commercial work includes countless TV, radio and Internet commercials for a diverse clientele such as: Nike for Wieden Kennedy, Apple for TBWA\Chiat\Day,
Toyota for Saatchi and Saatchi, and Cisco Systems for Ogilvy and Mather. His work also includes music videos such as Anybody Seen My Baby by the Rolling Stones, Home by Sheryl Crow, My Love Is Your Love by Whitney Houston, If I Ain’t Got You by Alicia Keys and many more as well as numerous film, TV and documentary credits.
A gifted audio post-production mixer/sound designer and music recording engineer/mixer, Feist founded Ravenswork Studios in Venice, CA in 1996, which became one of the industries leading providers of audio post-production services in the country specializing in commercials, music videos, and documentaries.
In 2010 He closed the Venice, CA facility and is now working freelance and out of his personal studio in Monterey California.
Feist’s current work includes several films for
Brave New Films including; How Much is Your Freedom Worth and Immigrant Prisons, a new documentary film by James A. Kleinert Disappointment Valley, two albums for Indonesian guitarist Dewa Budjana; Hasta Karma and Zentury, and an album for Indonesian keyboardist Dwiki Dharmawan So Far So Close. Current commercial work includes Thanks a 9/11 tribute to New York Firefighters, directed by Spike Lee for DDB; Capital One, Wish for Others campaign; Adidas Clima campaign for Kastner & Partners and the Absolut Blank campaign for TBWA\Chiat\Day Absolut Vodka.
Feist currently serves on the advisory board for ANEW. He is past president of the Venice Chamber of Commerce and founder of the Venice Media District. He has served on the board of Venice Arts and was honored for his contributions in 2010 with an award and a video made by the students. Feist also served on the board of P.A.C.T. Positive Alternative Choices Today a non-profit serving the local at-risk youth. In addition, he continues to offer sound services to non-profit and charity projects.
Discography
(E = Engineer; M = Mixer; P = Producer; M = Mastered)
Demas Narawangsa: Discover: (2018, M)
Allan Holdsworth: Allan Holdsworth Collection (2017)
Imaginary Friends: Falling Inward (2017, M)
Grandpa Death Experience: UFSOTF (2017, M)
Dewa Budjana: Zentury (2016, M/M)
Dwiki Dharmawan: So Far So Close (2015, M/M)
Dewa Budjana: Hasta Karma (2015, M/M)
Dewa Budjana: Surya Namaskar (2014, E/M/M)
Gary Husband: Dirty and Beautiful, Vol. 2 (2012, E)
Chad Wakerman: Dreams, Nightmares
and Improvisations (2011, M)
Gary Husband: Dirty and Beautiful, Vol. 1 (2010, E)
Death Angel: Archives and Artifacts (2005, M)
Allan Holdsworth: Against the Clock:
The Best of Allan Holdsworth (2005, E)
Alan Holdsworth Group: Then! (2004, E)
Anita Baker: Sweet Love:
The Very Best of Anita Baker (2002, E)
Donatella: Under the Moon (2002, E/P)
Mojo Nixon & the Toadliquors, Real Sock Ray Blue (1999, E)
Boy Hits Car: My Animal (1998, M)
Lester Butler: 13 (1997, E)
Fear: Have Another Beer with Fear (1995, M)
Metal Fest, Various Artists: Live Death (1994, M)
The Zeros: Names, Vol. 1 (1993, E, M)
Ovis: Schadenfreude (1993, M)
Emile Pandolfi: Once upon a Romance (1992, E/M)
Gregg Alexander: Intoxifornication (1992, E)
Allan Holdsworth: Wardenclyffe Tower (1992, E)
The Zeros: 4-3-2-1-The Zeros (1991, E/M)
Cirith Ungol: Paradise Lost (1991, M)
Hellion: Black Book (1991, M)
Gwar: Scumdogs of the Universe (1990, M)
Barren Cross: Hotter Than Hell! Live (1990, M)
Pigmy Love Circus: Live (1990, P/M)
Belinda Carlisle: Runaway Horses (1989, E)
The Graces: Perfect View (1989, E)
Ryudogumi: ZAP (1992, E)
Allan Holdsworth: Secrets (1989, E/M)
Gregg Alexander: Michigan Rain (1989, E)
Belinda Carlisle: Heaven on Earth (1989, E)
Wasted Youth: Black Daze (1988, M)
Martini Ranch: Holy Cow (1988, E)
Vengeance: Human Sacrifice (1988, E/M)
ANRI: Boogie Woogie Mainland (1988, E)
Uncle Slam: Say Uncle (1988, E)
Mojo Nixon & Skid Roper: Bo-Day-Shus!!! (1987, E)
Allan Holdsworth: Sand (1987, E/M)
Body: Body (1987, E)
Royal T: Feel My Wrath (1987, E/M)
Death Angel: Ultra-Violence (1987, M)
Allan Holdsworth: Atavachron (1986, E)
Barren Cross: Rock for the King (1986, M)
Anita Baker: Rapture (1986, E)
Joy Vogal: It’s A Crime (1986, M)
Mojo Nixon & Skid Roper:
Get Out Of My Way / Frenzy (1986, E/M)
T.S.O.L.: Revenge (1986, E)
Rockwell: The Genie (1986, E)
Masi: Downtown Dreamers (1986. E/M)
Stevie Nicks: Rock a Little (1985, E)
Natalie Cole: Dangerous (1985, E)
Allan Holdsworth: Metal Fatigue (1985, E)
Joy Vogal: The Girl (1985, M)
Agent Orange: When You Least Expect It… (1984, M)
Dennis Edwards: Don’t Look Any Further (1984, E)
George Benson: In Your Eyes (1983, AE)
Allan Holdsworth: Road Games (1983, E/M)
The Mighty Clouds of Joy: Changing Times (1079, AE)
Wonder Woman: Wonder Woman (1979, E)
Melissa Manchester: Don’t Cry Out Loud (1978, AE)
Contact
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Missives
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Antiquated Music
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Woven into the Fabric
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Quality vs. Popularity
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The Creative Process
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Audio has Attitude
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A Deeper Focus
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Balance and Craft
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Is art instinctive?
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Now
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The Magic of the First Take
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Is it too cold this morning?
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The Color of Distortion
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Compromise vs. Collaboration
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Artistic Integrity
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The Danger of Underbidding Freelance
In the early 1980s, a studio owner came to me and said, he had a guy on the phone who …
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Essence
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Software Illusion
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Adjust to Taste
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Being good at anything is knowing a lot about what doesn’t work
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Psychoacoustics
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Alchemy of Design
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Altruistic Framework and Making a Difference
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What are the metrics of a good mix?
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Is Listening an Art?
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Getting Started
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Design Dodging
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Don’t think
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Harvesting Random Elements
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Creative Exposure
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Morning Ritual
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MAKING A SCENE
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Apple Keynote
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“The Beauty Inside” wins 3 Cannes Grand Prix Gold Lions
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RAVENSWORK 3.0
RAVENSWORK 3.0 pay to do my essay Welcome to the new Ravenswork Website. It’s been in the works for a …
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Bone yard
Client: Nike "Move"
Sound Design and Mix: Robert Feist
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Client: TOYOTA "Everest"
Mixed by Robert Feist
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Client: Lummi "Giveaway Fund"
Mixed by Robert Feist
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Client: MOTOROLA "Phone Booth"
Sound Design and Mix: Robert Feist
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Client: Nike "Freestyle"
Mixed by Robert Feist
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Client: Sobe "Thrillicious"
Mixed by Robert Feist
Sound Design By Stephen Dewey
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Client: Palm Wonderful “EVE”
Mixed by Robert Feist
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Client: LEXUS "LFA"
Mixed by Robert Feist
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Client: Mercedes Benz "SL Heritage"
Sound Design and Mix: Robert Feist
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Client: ACURA “Wall Art”
Sound Design and Mix: Robert Feist
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Client: NIKE "Driving Range"
Sound Design and Mix: Robert Feist
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Client: NASCAR "Concrete"
Sound Design and Mix: Robert Feist
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Client: YAHOO “It's You”
Sound Design and Mix: Robert Feist
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Client: Pepsi "Michael Jackson"
Sound Design and Mix: Robert Feist
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Client: Altoids “Carnival”
Sound Design and Mix: Robert Feist
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Client: Toyota Tundra "Ramp"
Sound Design and Mix: Robert Feist
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Client: Lincoln Navigator “Tokyo”
Sound Design and Mix: Robert Feist
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Client: Kia Sorento "Bowling"
Sound Design and Mix: Robert Feist
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Client: Brandon Lee "Rapid Fire"
Mixed by Robert Feist
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Client: Pepsi "Ray Charles"
Sound Design and Mix: Robert Feist
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Client:Cellular One “One World”
Mixed by Robert Feist
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Client: H & R Block "Willy Nelson"
Mixed by Robert Feist
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Client: Harley Davidson "Mirage"
Sound Design and Mix: Robert Feist
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Client: Justin Beiber "Girlfriend"
Mixed by Robert Feist
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Client: Kodak "Olympic"
Mixed by Robert Feist
Sound Design By Stephen Dewey
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Client: LA Gear "Womans Lifestyle"
Sound Design and Mix: Robert Feist
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Client: Miller Lite "Crop Circles"
Sound Design and Mix: Robert Feist
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Client: Rolling Stones "Anyone See My Baby"
Sound Design and Mix: Robert Feist
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Client: Nike "180"
Sound Design and Mix: Robert Feist
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Client: BMW "Nurburgring"
Mixed by Robert Feist
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Client: Twin Peaks
Sound Design and Mix: Robert Feist
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Client: Niki "Frozen Moment"
Mixed by Robert Feist
Sound Design By Stephen Dewey
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